As I tell my drawing and painting students, as soon as you photograph something you flatten the space. As I was thinking about working with Terry Ibegan looking at how I could work both flat and three dimensionally, allowing the photographic process to flatten the piece for me.

I also wanted to share some of Polly Apfelbaum's work. I think her work jumps between painting and sculpture too she's been a big inspiration for me over the years. She works formally with shape and simple forms while the color just knocks you out. After seeing her work in grad school I felt like I had the permission to work flat and on the floor- although I didn't until I moved to Baltimore and started making contact paper pieces on the floor.

I adore that glow that the pink casts on the wall.

Really big things made out of smaller things and held together by gravity.

The color in this piece is so strong. It's made from sequined fabric on the floor. I love the bright color against the neutral concrete and white walls.